Wednesday, March 11, 2009

psychoanalysis and family

In relation to Rivkin and Ryan’s theories of psychoanalysis, I will exemplify with my family. Before that I must admit that Rivkin and Ryan as well as their notion to Sigmund Freud’s theories regarding children struck me. They state that from the beginning, children are sexually attracted to their parents within their consciousness. Boys realize that their position when their father steps in thus when the boy gets older, his taste for women attributes to his mother’s behavior and habits. Although I disagree with the theoretical statements that say children desire their parents (which to me is a rather strange theory besides the fact that children don’t know about sexuality) the similarities and closeness of the children for their parents depend on who gave the most nurturing.
In my family, I am the oldest, the more independent one, and the only one at the moment in college. I have two younger sisters, one in high school and the youngest in junior high. My parents were teenagers when I was born and have been together ever since. Because they were young at the time of my birth, although they were very loving, I was taught to take care of myself at a young age because my parents had to work extra hard. Four years later my sister was born and my dad took care of her more while my mother worked, four years after that, my youngest sister was born, I was older, my middle sister was closer to dad and my baby sister was in my mother’s care much more. Notice that there are no males in the story except for my father. At first I questioned Rivkin’s theory. Their theory states that the female is in competition with the mother for the father’s attention. There are three females…were all of us competing for our father’s affection? Not exactly. This is the outcome at the moment. My youngest sister and I are extremely close to our mother, we are rational thinkers, and we decide for ourselves but always think about others before ourselves, my middle sister though is quite the opposite. She is much more “socially departed”, hates any type of networking/socializing, thinks for herself most of the time and at times lacks common sense. She is extremely intelligent (we all are…) student yet very short tempered. With this said I have attempted to find an answer for such diverse behaviors and so far came up with a theory of my own. Because my younger sister and I have in a sense departed a closer male bond with our father, we have established independence only with the example of our mother. My middle sister has established closeness with the only male figure of the household thus unconsciously she never bothered to build her own independent state of mind because of the reliability she has with our dad. “Girls experience themselves as castrated and grow up feeling penis envy…the girl relinquished her father and identifies with her mother “ (Rivkin 127). In our case the first half of the excerpt is for middle sister and the second for my youngest sister and me. My middle sister is always complaining about her femininity whereas my younger sister and I have in a way accepted our father as our father and built closeness with our mother. Although my dad did spoil my middle sister, my father cared for me and my youngest sister as well so although I disagree with any theory that identifies children with incest, but perhaps that little extra affection triggered the differences of my sisters and myself.


Works Cited
Ryan, Julie Rivkin and MIchael. "Strangers to Ourselves." Ryan, Julie Rivkin and Michael. Literary THeory: An Anthology. Berlin: Blackwell Publishing, 1998.

Tuesday, March 10, 2009

Structuralism of a Champion



Ferdinand de Saussure has intensely built the term of Structuralism through terms of linguistics. Linguistics has built the image of whatever is popular within the society we live in. With all the accessible technology, our society has not built images of greatness (and poorness) through writing and words but through images posted on either the internet or expanded on television. An example would be that of Oscar De La Hoya. Oscar is both a light weight and mid weight boxing champion who besides making million on both his loses and many many victories, has invested in a large boxing institution in which prospective boxing champions are given the opportunity to emerge hence the nickname “The Golden Boy.”


In the picture posted, we see Oscar looking intently at the viewer through a mirror, shirtless, confident, handsome and strong. Such words to describe Oscar have increased his popularity and reputation. The mere image of him, without the gloves, without the bruises on his face, simply himself in a clean shot depicts such words in many people who know about Oscar. “Language is a system of signs that express ideas…” (Saussure 77). Oscar De La Hoya, the name itself has increased so much in popularity that immediately the image of his face is placed in one’s mind as well as the description of him i.e. champion, loser, etc. “Some people regard language, when reduced to its element, as a naming process only- a list of words, each corresponding to the thing that it names” (Saussure 77). This is true. Whether you believe Oscar De La Hoya is a wussie for allowing Manny Pacquiao an easy victory or a hero for obtaining his millions regardless if he won or lost a fight, nothing takes away the effect De La Hoya’s name has due to popularity and the contribution our society makes to increase the image of him and many other celebrities.





Works Cited

Saussure, Ferdinand de. "Course in General Linguistics." Ryan, Julie Rivkin and Michael. Literary THeory: An Anthology. Berlin: Blackwell Publishing, 1998.

Wednesday, February 11, 2009

The Bus by Frida Kaloh

What is entirely intriguing about this piece is not only the vibrant colors but the obvious interprettaion of class status. To the far right we see a high class woman. Thin eyebrows, thin figure, neat hair, a nice red scarf, wears purple pantyhose and carries a neat small purse. Next to her is either her husband or boyfriend who besides carrying a bag of money, is caucasian so we can acknowledge what Frida, a Mexican woman, perceived of American or white folk in general. To the far left is quite the opposite. We see a working class couple. The woman has thicker eyebrows, thicker figure and messier hair. She carries a basket, most likely for groceries and wears no pantyhose. her husband wears overalls thus we can perceive he is also of working class. Unlike the white man, he carries a hammer and is not white. In the middle we see a poor woman with no shoes and unlike the latter women, she carries neither a purse or basket but a bag of clothes. She is breastfeeding under her bright orange shawl. Unlike the other women who have men next to them, this woman has a boy who is looking to the outside of the window innocently paying attention but the green pastures that pass by.

Thursday, February 5, 2009

Superhero mimesis

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Superhero mimesis
The term of “mimesis” or imitation is a widely constructed term discussed back and forth between Plato and Aristotle regarding poetic and literary sense. The term of imitation could also apply to human actions. “Pleasure which for Plato, is the source of poetry’s greatest danger, is for Aristotle an intrinsic part of our response to poetry since all human beings instinctively take delight in “imitations’”. (Murray xxxi). In the clip taken from Kill Bill vol. 2, the main character Bill, makes an interesting analogy to describe his former lover and best assassin, Beatrix Kiddo through not poetry but comic analysis.
In short he mentions that unlike all the other superheroes who are simple and have to dress up to be powerful, Superman was born a hero and like her, blends in to look weak. “..That’s you trying to disguise yourself as a worker bee. That’s you trying to blend in with the hive. But you’re not a worker bee. You’re a renegade killer bee.” (Kill Bill vol2). I believe that both Plato and Aristotle would agree that the idea of imitation is a definite sense of falseness within the self, the difference between the two is the reason to be false. Plato as we know saw that misuse of emotion or catharsis was useless and dangerous for a prosperous republic. In the clip, Beatrix kiddo understands as she listens to Bill that she will never be like everyone else which causes her emotions to rise. Plato sees no point in hiding ones identity and therefore the emotions caused by that hiding are useless.
According to Aristotle the idea of mimesis and tragedy indeed enhances the catharsis and evokes his discussed Reversal, Recognition, and Suffering which is not something to be frowned upon, unlike Plato who would definitely beg to differ. “A reversal is a change from one state of affairs to its opposite, one which conforms, as I have said, to probability or necessity.” (Aristotle 70). Beatrix felt that she was in a desperate position to change herself in order for her daughter to have a “normal” life and upbringing. Aristotle justifies these actions as a necessity while Plato is much more pessimistic and necessity is subjective according to our actions and emotions.












Works Cited
Kill Bill Vol. 2. Dir. Quentin Tarantino. Perf. Uma Thurman and David Carradine. YouTube. 3 Feb. 2009 .
Murray, Penelope. "Aristotle: Poetics." Classical Literary Criticism. By Penelope Murray. Trans. Penelope Murray. New York: Penguin Classics, 2000. Vii-166.

Tuesday, January 27, 2009

Plato's love for poetry

Plato is a pessimist. He kept mentioning his distaste for poetry because it enhanced emotion? I had no idea that it was bad to cry or laugh or simply be amused. The most delicious part of life is pleasure and happiness and why not have it without a cost. Sure, I will credit the fact that poetry is unrealistic and as he mentioned, it was all lies, but the farthest one could get from the realism is through non-realism. What was also condratictory in my view was that in Plato's Ion and The Republic 2, Plato was able to make Socrates that he was correct all the time and made Ion a calm, "yes-master" character. Is that not unrealistic? He gave Socrates a chance to big rants while the character to which he was speaking with was always "yes" and "no."

Interpreting a text

In my opinion, when I interpret a text I like to attempt to understand it on my own and then try to aquire some outside source such as a biography about it or a different type of criticism. I do want to be origianl and have my own ideas of it, but it is important to also acknowledge diverse opinions and interpretations of such text to see how many have the same interpretation or have a different interpretation that you never even thought of. It also helps if perhaps you have a vague idea of the text or none at all, to get some history on it. When you look for more sources for a certain text you gain more knowledge because you have aquired not only your own interpretation but ideas that others have validly pointed out.